Thursday, July 30, 2020

This doesnt suck

This doesn’t suck DID YOU KNOW? Upon hearing one of Bachs motets late in his life, Mozart reportedly remarked, Finally, here is music one can learn from! Jeffrey? Seriously? Jeffrey? Okay, the zippertastic green-grey striped dress was nice, and the jacket in that material was also pretty hot. But Heidi KIum said she would buy every piece in Ulis collection, and some of them actually made me wish that I had been born a size zero woman so I could rock those prints mightily in the warm weather of Saint-Tropez. Then again, WILG also makes me wish I had been born a size zero woman when they hand out free cookies on the first day of classes every term. That was all I wanted to say, really, but I had to think of something MIT-related because for some reason there is no Project Runway category on MITblogs. So then in German III today Frau Bittner was like, Oh, look at this study German I in Germany program offered by MISTI!! Do you have any friends who might be interested in starting German? You should tell them! Basically every person in the class was like PFFFF! Can I take German I again? That sounds so awesome! But Frau Bittner just laughed at us in her stern German way. And I was going to write a blog entry saying basically, Anybody who does not do this is really stupid. Actually, I was literally going to say that. Its true! But upon further inspection this evening, the fine print on this offer reads Students will be responsible for travel and lodging fees. which makes it about 12% as cool as it would be if MIT paid for it. Also, I remembered that days in Germany are supposedly like 4 hours long in the dead of winter. So its kind of a good idea, if youre independently wealthy and enjoy darkness. But seriously. JEFFREY?

Friday, May 22, 2020

Spectroscopy The Search for Extraterrestrial Life Essay

Throughout history humanity has been fascinated by the existence of extraterrestrial life. Today such ventures are in the development process and the discovery of life beyond our solar system, no matter how primitive, may soon become a huge(important?) scientific breakthrough. The three basic things that are required to consider a place even remotely habitable are water, a source of energy, and organic materials. Habitability also depends on other factors that must also be taken into consideration such as how close the planet is to its star (in the case of our solar system, the sun), how long the water and organic materials existed there, and the size and mass of the planet. One must not confuse habitable with inhabited. The term†¦show more content†¦A red dwarf star’s HZ, for example, would be much closer to the star itself compared with that of our sun. It is also important to determine the planet’s size and mass, which is imperative in deciding whether it can sustain an atmosphere. Maintaining an atmosphere is essential for life to exist and small a planet with a small gravitational force at its surface may not be capable of retaining one. The Kepler transit data can only measure planet masses, diameters, orbital periods, and parent star types and although this information is useful for determining habitable zones, further data is required to determine true habitability. The latter can be done by studying the composition of the exoplanet’s atmosphere. The best technology available today for studying the chemical composition of stars and planets is spectroscopy, a scientific tool that dissects light into its component colours (Astronomy mag. P.31). â€Å"A planet within 100 light-years of Earth is close enough to provide sufficient light for scientists to dissect light into its component colors† (Ray Villard, Astronomy ). Spectrographs are used by astronomers to observe discrete spectra. Discrete spectra are produced by gases, such as †¦ when specific wavelengths of light are absorbed or emitted by the gases. This causes dark bands to appear on the spectrum where the specific wavelengths of light are absent. A scientist canShow MoreRelatedLife in the Universe Exercises and Questions779 Words   |  4 Pages1. Why are scientists interested in the possibility of life beyond Earth? The discovery of life of any kind beyond Earth would forever change our perspective on how we fit into the universe as a whole, and would teach us much more about life here on Earth. 2. People have long been interested in life beyond Earth. What is different today that makes this possibility seem scientifically reasonable? Today, technology has flourished and is more advanced than it was in the past. We are able to

Sunday, May 10, 2020

Ghost Light from Dead Galaxies Sheds Light on Ancient Galaxy Interactions

Did you know that astronomers can learn about galaxies that died long ago? Thats part of the story of the cosmos that the  deep cosmos-gazing  Hubble Space Telescope  was built to tell. Along with other telescopes on the ground and on orbit, it fills in the story of the universe as it peers out at distant objects. Some of its most fascinating objects are galaxies, including some that formed in the infancy of the universe and are now long gone from the cosmic scene. What stories do they tell?   What Hubble Found Studying long-dead galaxies sounds like it would be impossible. In a way, it is. Theyre no longer around, but it turns out, some of their stars are. To learn more about early galaxies that no longer exist, Hubble observed dim  light from orphaned stars that lie some 4 billion light-years away from us. They were born billions of years ago and somehow were ejected at high speed from their original galaxies, which themselves are long gone. It turns out some kind of galactic mayhem sent these stars reeling across space. They belonged to a galaxies in a massive galaxy called Pandoras Cluster. The light from those far-flung stars provided clues to a crime scene of truly galactic proportions: as many as six galaxies were somehow torn to pieces within the cluster. How could this happen? Gravity Explains a Lot Each galaxy has a gravitational pull. Its the combined gravity of all the stars, clouds of gas and dust, black holes, and dark matter that exist in the galaxy.  In a cluster, you get the combined gravitational pull of all the galaxies, and that affects all of the members of the cluster. That gravity is pretty strong. In addition, galaxies tend to move around within their clusters, which affects the motions and interacts of their cluster-mates. Add those two effects together and you set the scene  for the destruction of some not-so-lucky small galaxies that happen to get caught in the action.  They get stuck in a squeeze play between their larger neighbors as they travel, Eventually, the strong gravity of the bigger galaxies pulls the smaller ones apart.   Astronomers found clues to this destructive shredding of galaxies by studying the light from stars scattered by the action.That light would be detectable long after the galaxies were destroyed. However, this predicted intracluster glow of stars is very faint and is quite a challenge to observe.These are extremely faint stars and they are brightest in infrared wavelengths of light. This is where Hubble comes in. It has very sensitive detectors to capture that faint glow from the stars. Its observations helped scientists study the combined light of about 200 billion stars that were cast out from interacting galaxies. Its measurements showed that the scattered stars are rich in heavier elements like oxygen, carbon, and nitrogen. This means they are not the first-ever stars formed. The first stars consisted mainly of hydrogen and helium, and forged heavier elements in their cores. When those earliest ones died, all the elements were cast into space and into nebulae of gas and dust. Later generations of stars formed from those clouds and show higher concentrations of heavy elements. It is the enriched stars that Hubble studied in an effort to track what happened to their galactic homes.   Future Studies Zero in on More Orphan Stars Theres still a lot to figure out about the earliest, most distant galaxies and their interactions. Everywhere Hubble looks, it finds more and more distant galaxies. The farther out it  peers, the further back in time it looks. Each time it makes a deep field observation, this telescope shows astronomers fascinating things about the earliest times in the cosmos. Thats all part of the study of cosmology, the origin and evolution of the universe.

Wednesday, May 6, 2020

Mulan Free Essays

Hayden Ikerd Mr. Wheeler AP Literature 12 April, 2013 Thomas Foster’s Themes Traced in Mulan In his book How to Read Literature Like a Professor, Thomas Foster explains many reoccurring themes in literature, and shows how to recognize them and in some instances shows certain works where they occur. By reading this guide to literature, one may gain a deeper understanding of the work itself and of the author’s intent in writing it. We will write a custom essay sample on Mulan or any similar topic only for you Order Now However, Foster’s methods can also be applied to films. A film that contains many of the various themes, models, symbolism, and devices discussed in his book is Walt Disney’s Mulan. Mulan is a character type with which people are familiar. Foster discusses this process of association in the chapter â€Å"Now Where Have I Seen Her Before? † In his book, he asserts that no work is wholly original. The whole idea of a female Chinese heroine was not originally conceived by Disney. The character of Mulan can be traced back to The Ballad of Hua Mulan, written sometime in the 11th century. Still, most people may not be so familiar with this relatively dated ballad. Some people may associate the character of Mulan with that of Scout from To Kill a Mockingbird. Both Mulan and Scout are tomboys by nature, acting in ways more suited to boys. Also, they both do things they do for the approval of their respective father figures. Mulan is notably the heroine of her story, saving the Chinese empire from the attacking Huns. The ‘heroine’ model can also be seen in characters such as Antigone and Hester Prynne. Food plays some role in every work- namely the act of consuming it. Mulan is no exception. Foster talks about this in the chapter â€Å"Nice To Eat With You. † Towards the beginning of the movie, Mulan along with several other young maidens go to visit the match maker, who is in charge of determining each girl’s eligibility as a wife. This process by which she judges them is by partaking in a cup of tea with each one. Mulan’s ‘interview’ as it were went over horribly. This is to establish the fact that Mulan has a measure of difficulty coming into womanhood, and the whole idea of being ladylike does not come to her naturally. The second meal that plays a big part in the film is the one that takes place in the barracks. Mulan just met her fellow soldiers, and the next thing to occur is a meal with them. Trying to establish herself as a man, she accidently picks a fight with one, leading to a riot, and rice being spilled all over the camp. After this, they all held her in contempt. Mulan’s first meal with her comrades shows that she has just as hard a time fitting in with these men as she did with the women. Mulan’s two meals show the difficulty she has trying to find her place. The role of men and women play an important role in this movie. Foster touches this phenomenon in the chapter â€Å"It’s All Political. † The underlying message of Mulan is that of gender equality. As a woman, Mulan is looked down upon, and is not allowed to fight in the war against the Huns in the first place. To fight is to disgrace her whole family. This offense was so dire, that when she was discovered to be a woman on the battlefield, she was sentenced to death. She is also portrayed as being weaker and less capable than the other soldiers. However, she learns to keep up, and eventually excels in combat training and proves to be an invaluable asset to the Chinese army. In the end, Mulan portrays women as strong, and in the battle could not have been won without femininity. Towards the end, the Huns are ultimately overcome by the male soldiers dressing as women, who seduce them, then defeat them. In the end of the film, virtually all of China bows to Mulan in respect, showing that she is held in equal esteem as even the emperor, who is male (he also bows, of course). Another important element in Mulan that Foster points out is that of rain, which he mentions in his chapter entitled, â€Å"It’s More Than Just Rain or Snow. † Foster would have one to believe that often times when a character goes through rain, snow, or something of the sort, that he or she has undergone a figurative baptism. After Mulan has failed in her encounter with the matchmaker, she goes home and begins singing the marvelous, gripping song called â€Å"Reflection†. She asks, â€Å"When will my reflection show who I am inside? She realizes that her fair appearance does not reflect her feelings. Singing this song, she washes away her makeup, and gives up on becoming the perfect daughter and bride; it is a baptism. Maybe it would be key to mention that during this song, Mulan sings in a downpour of rain. Just like Foster describes in his book, Mulan is ‘baptized’ in the rain. Disney movies are not notorious for their violent nature. So, when so mething violent occurs in a Disney movie, or an individual (or animal in many cases) dies, it must carry some kind of importance. In the chapter of his book â€Å"More Than It’s Gonna Hurt You†, Fosters says that there is usually more to violence than just violence. When Mulan is struck by the sword of Shan Yu, many more things happen to her than a fatal wound. She almost meets her demise, and for the first time, the reality of war sets in. Mulan realizes that she is not invincible and grasps the perils of war for the first time. When she receives medical attention for her wound, she is discovered to be a woman. All she has worked for up until this point is now for naught, as she is expelled from the army and her family name is disgraced. Another instance where violence plays an important role is when Li Shang’s father is discovered to be dead. Li Shang’s father was the head general of the Chinese army; he was held in high esteem by everyone, especially his son. Li Shang aspired to be the general his father was. Shang’s father’s plan was to make an assault on the Hun army, and meet up with Shang after they had obtained victory, which they thought was inevitable. When Shang reaches the point at which he was to intersect with his father, he found him gone. Shang’s father’s death signals the time for Shang to take up the burden of leading the Chinese army and the time to become a man. The only way for China to be victorious was for Shang to surpass his father and to do what he could not: defeat the Huns. Without this loss, Shang would have never grown and would have never become the general that he was. One can see that Foster’s themes are very prevalent in the story of Mulan and are echoed in movies and books alike. Mulan is a real masterpiece to include so many elements of good literature. How to cite Mulan, Papers

Wednesday, April 29, 2020

Robert Browning Essays (448 words) - Robert Browning,

Robert Browning B.J. Gilstrap English March 20, 1999 Biography of Robert Browning Robert Browning was born on May 7, 1812, in Camberwell (a suburb of London), the first child of Robert and Sarah Anna Browning. His mother was a fervent and an accomplished pianist. Mr. Browning had angered his own father and forgone a fortune: the poet's grandfather had sent his son to oversee a West Indies sugar plantation, but the young man had found the institution of slavery so abhorrent that he gave up his prospects and returned home, to become a clerk in the Bank of England. On this very modest salary he was able to marry, raise a family, and to acquire a library of 6000 volumes. He was an exceedingly well-read man who could recreate the siege of Troy with the household chairs and tables for the benefit of his inquisitive son. Indeed, most of the poet's education came at home. He was an extremely bright child and a voracious reader and learned Latin, Greek, French and Italian by the time he was fourteen. He attended the University of London in 1828, the first year it opened, but left in discontent to pursue his own reading at his own pace. This somewhat distinctive but extensive education has led to difficulties for his readers: he did not always realize how obscure were his references and allusions. In 1845 he saw Elizabeth Barrett's poems and contrived to meet her. Although she was an invalid and very much under the control of a domineering father, the two married in September 1846 and a few days later eloped to Italy, where they lived until her death in 1861. The years in Florence were among the happiest for both of them. Her love for him was demonstrated in the Sonnets from the Portugese, and to her he dedicated Men and Women, which contains his best poetry. Public sympathy for him after her death (she was a much more popular poet during their lifetimes) surely helped the critical reception of his Collected Poems (1862) and Dramatis Personae (1863). The Ring and the Book (1868-9), based on an old yellow book which told of a Roman murder and trial, finally won him considerable popularity. He and Tennyson were now mentioned together as the foremost poets of the age. Although he lived and wrote actively for another twenty years, the late '60s were the peak of his career. His inf luence continued to grow, however, and finally lead to the founding of the Browning Society in 1881. He died in 1889, on the same day that his final volume of verse, Asolando, was published. He is buried in Poet's Corner of Westminster Abbey. Poetry Essays

Friday, March 20, 2020

An Overview of the Branches of Philosophy essays

An Overview of the Branches of Philosophy essays Generally speaking, philosophy the critical examination of the grounds for fundamental beliefs and an analysis of the basic concepts employed in the expression of such beliefs. Philosophical inquiry is a central element in the intellectual history of many historical civilizations. The word is from the Greek (by way of Latin, philosophia) and means "love of wisdom" (Martinich provides a brief definition and description of three approaches to philosophical investigation: metaphysics, epistemology, and axiology (including its two branches, aesthetics and ethics). Metaphysics. This branch of philosophy deals with the ultimate nature of human existence, largely as an extension of the Metaphysics of Aristotle. This collection of treatises placed after the Physics [Gr. metaphysics =after physics ] treated what Aristotle termed the First Philosophy. The primary focus of metaphysical speculation is termed "ontology," which is the study of the ultimate nature of being; however, philosophical theology and cosmology are typically considered branches of metaphysics as well (Metaphysics 2000). This branch of philosophy leaves nothing unquestioned and proceeds entirely without assumptions; according to Walsh (1963), "The only propositions with which a metaphysician could properly be content were propositions whose truth could not be denied, or whose truth was seen to be involved in their own attempted denial" (11). Epistemology. This field of philosophy is defined as the study of the nature, origin, and limits of human knowledge. The term comes from the Greek episteme ("knowledge") and logos ("reason"), and accordingly the field is sometimes called the theory of knowledge (Martinich Axiology. This branch of philosophy is concerned with "values" and "what is good" (Morris 1961:219). "If axiological issues underlie ethical ...

Wednesday, March 4, 2020

Creating Compelling Characters

Creating Compelling Characters Creating Compelling Characters Creating Compelling Characters By Guest Author This is a guest post by Ali Hale. If you want to write for Daily Writing Tips check the guidelines here. The success of a story rests on its characters. We remember truly compelling, vivid characters long after weve finished reading a novel or watching a movie: Im sure you can recall characters from books you read in childhood. Great characters can compensate for a weak plot or a so-so writing style – but if readers dont care about your characters, theyll put your story down. That clever plot twist or beautiful passage of writing might hook them briefly, but without characters that leap off the page, readers wont stay engaged. If you need more evidence that characters are crucially important, search Google for fan fiction. Many, many books, TV series and movies have spawned a huge amount of creative writing by fans – and this writing is all about the characters. The plots and sometimes even the settings are different from those in the original, but the characters remain the same. Simply knowing how important characters are doesnt help you much, though. You need to figure out how to create truly compelling characters who readers care about, laugh about, even cry about. Heres how: What Does Your Character Need? All compelling characters have a strong need, longing or desire. They should have a problem to overcome. They may not recognise this need (and indeed, many stories are about person coming to understand themselves better – for example, learning that they need companionship). I picked up a great tip on figuring out what characters need from Holly Lisles Create a Character Clinic. Use Maslows hierarchy of needs. Pick a level on the pyramid (you can find all you need to know on Wikipedias page) and then figure out what your character is seeking. At the most basic, physical level, your character might be in a survival situation and need food and water. Going up a level, you might have a character whose security is threatened: perhaps shes lost her job, or hes facing a health crisis. Quirks Dont Equal Character Many beginning writers make the mistake of thinking that giving a character a set of mannerisms or physical quirks is characterisation. It can be amusing and diverting, certainly. Sure, you can give your character a habit of whistling a particular tune, or jangling his keys, or peering over her glasses. But these alone dont make your characters compelling. When your characters do have unusual quirks, these need to be relevant to their back story – the things which happened to them before they appeared in your book. (Compelling characters need to be like icebergs: the reader has to have the sense that theres a lot more under the surface: characters shouldnt feel like they didnt exist before page one.) For example, Harry Potters scar is an important feature because it relates to his history and to the broader plot of the stories. Giving your character a mysterious scar which has no relevance to your story, however, isnt a shortcut to becoming as popular as J.K. Rowling In general, focus on who your character is rather than what they look like. Draw From Life – But Not Too Much So where do powerful, vivid characters come from? Often, the best place to start is yourself. What do you dream about, fear, desire? What secrets do you have? What are you most ashamed of – and most proud of? If youre trying to convey a characters internal thoughts, then you must be willing to draw on your only source of direct experience: the inside of your own mind. Dont go too far in drawing on real life, though. Beginning writers sometimes make the mistake of writing a version of themselves into their stories – often a perfect, flawless character who theyd quite like to be! While this might be emotionally satisfying to the writer, its either very irritating or very boring for readers. Some other tips when drawing on your life are: Were all complex people who may, at times, behave in contradictory ways. Dont make your characters too one-dimensional Most of us have quiet, even boring, lives. Your characters need to do more exciting things in order to engage the reader. Dont worry about describing your characters physically. Mention anything thats important (eg. a characters physical size may have a bearing on the plot and on their self-confidence) but dont burden the reader with details. Watch people when youre out and about, and make up stories about them. Let the Reader Empathise Your reader doesnt necessarily have to like your characters, but they should be able to feel a sense of empathy for them. Even your villains shouldnt be purely evil: there needs to be some explanation for why theyre such awful people – this often forms part of their back story. On the flip side, your heroes shouldnt be too perfect. We like to read about people with flaws, doubts and struggles – because when we read, were imagining ourselves in their place. Characters are compelling when we can share their struggles and cheer on their victories. Some quick ways to build empathy are: Show a character suffering (either mentally or physically) Include a brief flashback to an unhappy childhood or traumatic incident Write about your characters thoughts – especially if their actions might be hard for us to understand or treat sympathetically Use the first-person or third-person limited (deep) point of view Show a character being misunderstood by others Frustrate a characters attempts to meet their need Finally, have fun with creating your characters! If you find yourself writing about a character who bores you, then rewrite them – or recast them as a new character entirely. When you write characters that are truly compelling to you, theyll be compelling to the reader. Ali Hale is a writer whose posts getting more from life at Aliventures have been called so true, exactly what I need and exactly at the right time for me (click to grab the RSS feed here). When shes not blogging, shes working on her novel and other projects, including an MA in Creative Writing. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:30 Synonyms for â€Å"Meeting†The Possessive Apostrophe5 Examples of Misplaced Modifiers